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Live Shots: Titus Andronicus at Great American Music Hall

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If you want to stay in the good graces of Titus Andronicus (which played Great American Music Hall this Tuesday), don’t mention frontman Patrick Stickles' beard, or his recent lack of beard, or his uncanny vocal likeness to Bright Eyes vocalist Conor Oberst, or really much of anything else. But you didn’t hear it from me. Because of his sensitivity, Stickles has been churning out some of the best anger and angst-driven punk rock of this century. In spite of his sensitivity, he still seems to be a super nice guy. Read more »

The Faint will play 'Danse Macabre' in its entirety this weekend

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It's been a decade since the release of the Faint's stand-out album, Danse Macabre. Nuts, right? With Saddle Creek Record's release this month of the deluxe edition of its landmark album, the somewhat dormant dark wave band is now touring and playing Danse Macabre in its entirety; that tour takes the Faint to the Regency Ballroom this weekend (Sat/17). Read more »

Taking flight with Juan Atkins, co-originator of Detroit techno

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Juan Atkins will perform songs from the Cybotron and Model 500 catalogues with a four-piece electronic group, including “Mad” Mike Banks of Underground Resistance, Mark Taylor, and Milton Baldwin, this Friday at No Way Back's three-year anniversary party at Mezzanine.

When I first Googled “Model 500” the search results surprised me. I expected to find a clue as to why Juan Atkins named his mid-1980s solo music project after what sounded like a blueprint for a piece of consumer technology, like some sort of hyper-evolution of the Model T.

But the choices between a rotary telephone from the post-war period and a newly minted Smith & Wesson revolver, both model 500s in their own rights, left me wanting. When I ask Atkins whether there was any story behind the name, he suggests another way of reading it: “It was something I used to repudiate ethnic designation. It wasn’t named after any model or any particular piece of equipment.”

A more illuminating answer.

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Localized Appreesh: Brand New Trash

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Localized Appreesh is our thank-you column to the musicians that make the Bay. To be considered, contact emilysavage@sfbg.com.

Brand New Trash is a new “trash pop” (more on that in a second) band from Buxter Hoot'n's SF-via-Indiana brothers Vince and Jimmy Dewald. The group, rounded out by two drummers – Kevin Alan Walters and Ebony Towner, who also doubles on keyboard – is about to release its debut self-titled LP. Read more »

Party Radar: Booty Call Wednesdays celebrates 5 years (of booty calls)

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I remember it as if it were yesterday's Instagram. Five years ago tonight, drag goddess Juanita More and club promoter Joshua J. took one look at the LCD mess the Castro party scene had devolved into and went, "meh!"

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Live Shots: La Sera at the Chapel

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It was nice to see that “Kickball” Katy Goodman hasn’t grown up too much since leaving the Vivian Girls. Her big smile, bubbling stage banter, and virginal attire—a lacy white dress to match her white Fender bass guitar — added a saccharine candy coating to the dark, jangly pop of La Sera, her Los Angeles-based solo project.

Swaying and hopping across the Chapel stage last Saturday night in all black Converse All Stars, Goodman whipped her all-male backing band through a surprisingly short set, clocking in at just around 45 minutes. Read more »

That special Christopher Owens show at the Lodge

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The show was being filmed for a music video, and the crew told people in the front row that they might get photographed for reaction shots. When I mentioned to the couple next to me that a sure fire way to get on camera was to cry, the apparent director turned around from where he was kneeling near the stage and said, “I’ll pay $500 dollars if you do it,” before adding, “but I think you might cry anyway.” In his first performance since breaking up his former band, Girls, Christopher Owens was set to debut an entire album of new material, and it sounded like a tear-jerker. Read more »

Ladies and gentleman, hip-hop 2012: Kitty Pryde, Main Attrakionz, Hottub

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Concurrent downlow Rusty Lazer set across the bridge at Ruby Room notwithstanding, Y3K at DNA Lounge was the place to be for hip-hop in the Bay Area on Friday night. This is a disputable claim, given the hordes of Youtube haters that run amok over headliner Kitty Pryde's channel. But a Hottub-Main Attrakionz-Pryde 1-2-3 punch will tell you more about where hip-hop is today than any number of shows by more universally-accepted rappers. Read more »

Kitty Pryde on Riff Raff, candy, and going viral

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What exactly does it mean to be a pop star these days? Does it mean you have masses of eager (young) fans, breathless feature articles, and a healthy growing buzz on so-called tastemaker sites? Can you do it without a major label, without a proper album, without really touring? Seems like the answer for now is...maybe. It's a world we're all just beginning to crack open. One thing I know for sure, Florida teen rapper Kitty Pryde wouldn't have blown up quite like this before the web.

She made her mark on Youtube, with casual, adorable bedroom rap track and video “Okay Cupid,” along with an ode to a certain youthful pop star (“Justin Bieber”). There's been plenty of speculation about Pryde. If she's actually a teenager. If she's “in on the joke.” If she'll sign to a major label and crush it. These questions are sort of beside the point. So far, her output has been cheerful, weird, fun, and uniquely telling of young life in America in 2012. Or, as the New York Times put it in its CMJ rundown, Pryde “offered cute, comedic expositions of unrequited crushes.” Read more »

Live Shots: AU at the Independent

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It was my first time seeing Portland's AU live Saturday night, and I had some important questions I hoped the show would answer. First of all, how does one pronounce AU? Aww? Awe? Oww? Gold? More importantly, how would the band recreate its sound live? I had theories, but as AU began its set at the Independent with its most recent album's first (and most prominent song) “Epic,” those quickly proved false. There were no guitars. Read more »