Carson Lancaster is tired of the bullshit. He’s tired of watching the same handful of mainstream galleries hang the same artists and shun a majority of San Francisco’s young, talented artists. “It’s like that scene in Scanners. You know, the one where the guy’s head explodes? That’s what it feels like every time I walk into one of those places,” he said.
Lancaster is the owner of Book & Job, an art gallery that seeks to do exactly the opposite: make San Francisco’s art market accessible to both artists and consumers. Located on Geary and Hyde Streets, Book & Job blends into the grit of the Tenderloin and in no way resembles the blue-chip megaliths huddled toward Union Square. The space is tiny. There’s no team of attractive sales people standing at the entrance, no bubbly event photographers milling around, no tuxedos, and no free champagne.
I’m always wary of the BeyondChron stories by Tenderloin power broker Randy Shaw, who uses the website as a propaganda tool for his interests and those of the politicians who he helped get into office, including Mayor Ed Lee and Sup. Jane Kim, as I wrote in last week’s paper.Read more »
Just a few months ago arts nonprofits CounterPULSE and The Luggage Store were facing an uncertain future. New tech neighbors drove their rents sky high, and the groups that for years were venues for struggling artists were struggling themselves.
“Twitter moved in literally behind our building,” said Jessica Robinson Love, executive director of CounterPULSE. Lacking the deep pockets of a tech company, they readied for a move to Oakland. Read more »