Movies

The awful truth

'The Central Park Five' examines a shocking crime — and its troubling outcome

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cheryl@sfbg.com

FILM Early last week, the Academy of Motion Picture Arts and Sciences announced the 15-film shortlist from which the five Best Documentary nominees will be culled. There are some strong contenders — including The Waiting Room, set at Oakland's Highland Hospital — but two of 2012's highest-profile docs were oddly absent: Amy Berg's West of Memphis (which opens locally Feb. 8) and Ken Burns' The Central Park Five, which opens Friday. It might be ironic that both films are about injustice.Read more »

Dirty jokes

'Honk If You're Horny' brings retro porn to the YBCA

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TRASH It has been noted that most people didn't experience "the Sixties" until the Seventies, at least in terms of all that Free Love and chemical entertainment. But even at the latter decade's most indulgent junctures, many people's minds remained stuck in the Fifties — sniggering about the very idea of sex, using terms like "boobies," insisting women be gorgeous idiots and men perma-adolescent clods.Read more »

Le grand career

A delightful series shines a new spotlight on French comedian Pierre Étaix

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father and law

Make time for sensitive indie drama 'In the Family'

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cheryl@sfbg.com

FILM With a running time of just under three hours, writer-director-star Patrick Wang's In the Family rewards patient viewers with its quietly observed tale of a man battling for custody of his son.Read more »

Chopping spree

'Tis the season for ghouls and gore at Another Hole in the Head film fest

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cheryl@sfbg.com

FILM Unlike the San Francisco Independent Film Festival's flagship event and its popular DocFest, which more or less put roots down at the Roxie, genre fest Another Hole in the Head spreads its horror, sci-fi, and just plain weird wealth around to various venues. Yeah, the Roxie's still on its list, but HoleHead also hosts events down 16th Street at the Victoria Theater, and at SOMA's Terra Gallery and the Vortex Room — the latter an inspired addition, given the Vortex's reputation as a haven for mondo cinema.Read more »

GOLDIES 2012: Jamie Meltzer

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GOLDIES He may be a filmmaker, but the inspiration for Jamie Meltzer's first feature-length documentary came while he was flipping through the bins at a record store.

"I found this song-poem compilation," Meltzer remembers. At the time, he was a San Francisco State University MFA student. "It was such an amazing, undiscovered-to-me subculture that I started making the film that day. It took me two years to go around and meet all of these song poets and musicians, but it really started in the record store."Read more »

Goth-hmm city

Sean Penn takes a bizarre road trip in 'This Must Be the Place'

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This much is true

Pirates, politicians, ogres, and cults: DocFest highlights

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cheryl@sfbg.com

FILM The San Francisco Documentary Film Festival returns for its 11th year with a typically strong program — whether you like your docs quirky, political, musical, experimental, or just plain strange, DocFest has you covered. Plus, there's an "80s New Wave Sing-a-Long," because who doesn't love screaming Spandau Ballet with a few hundred pals? Read on for more recommendations.Read more »

Locally grown

Fresh picks from 'Cinema By the Bay'
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cheryl@sfbg.com

FILM First and foremost, make it your business to see Jason Becker: Not Dead Yet, which is playing the San Francisco Film Society's "Cinema By the Bay" series and the San Francisco Documentary Film Festival, both of which open this week. (See DocFest article elsewhere in this issue.)Read more »

Gimme Moors

Andrea Arnold offers a raw take on 'Wuthering Heights'

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cheryl@sfbg.com

FILM Emily Brontë's Wuthering Heights has inspired multiple films, as varied in quality as the 1939 Best Picture nominee starring Sir Laurence Olivier — and the 2003 made-for-MTV adaptation, in which "Heath" is a pouty, motorcycle-riding himbo. The source material may seem an odd choice for acclaimed British director Andrea Arnold, best-known for 2006's Red Road and 2009's Fish Tank, both gritty films about working-class people, unfussily shot using hand-held cameras.Read more »